I don’t just create art. I Build the Tools to Make It Better.
For over 15 years, my world was defined by comic books: digital ink, color, and deadlines. As an artist and colorist for the industry’s most renowned comic publishers, like Sergio Bonelli Editore in Italy, Glènat, Soleil and Delcourt in France, Marvel in USA. I had the privilege of contributing to iconic series like Dragonero, Chant des Stryges, and The Avengers. I’m also the visual creator of successful series like Les Seigneurs de la Terre for Glènat in France. It was an incredible experience that taught me everything about visual storytelling and the relentless pace of professional production.
It also showed me where our tools were failing us. I saw talented artists struggling against inefficient workflows, and creative ideas compromised by technical limitations.
I decided to fix it.
I dove into the world of programming, learning Python, JavaScript, and Unreal Blueprints not as an academic exercise, but as a way to solve real-world problems for artists. This journey led me to create several tools I use in my workflow, and SkelSketch, a commercial VR and Blender tool designed to make 3D sketching intuitive and fast.
Today, I bring this unique perspective to every project. I am an Art Director who can debug a pipeline, a 3D Artist who can write a custom script, and a Technical Artist who will never forget what it feels like to be on the other side of the screen.
My Mission: To create and implement workflows that are so seamless, they become invisible, allowing artists to focus on what they do best: creating.
Key Expertise:
- Technical Direction: Designing and developing tools, scripts, and full-stack applications to optimize production pipelines.
- Art Direction: Leading visual style and quality, ensuring technical feasibility aligns with creative goals.
- 3D Production: Expert-level, hands-on skills in modeling, sculpting, rigging, and rendering.
If you’re looking for someone who understands both the “why” and the “how,” I’d love to connect.